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Suites, Classrooms, & AuditoriumRosemary was comprised of four stories (although the fourth was not completed until 1919). The ground floor (basement) was built for classrooms and a chemistry laboratory2 (which later became speech rooms), while the first floor housed the auditorium.1 The second and third floors contained four suites. This was the first implementation of Virginia Alice Cottey Stockard's "suite plan," a housing floor plan she had seen the same year at the University of Toronto.1 Each of Rosemary's four suites housed 10 to 14 students, and was headed by a faculty "big sister." The 1903-04 Cottey catalogue states: The second and third floors carry out the unique suite plan of dormitory living. Each suite consists of a common sitting room with single and double sleeping rooms arranged around it. This plan is unusual and is received with high favor by our students and patrons. It safeguards the student from the necessity of uncongenial or unhealthful room-mates and yet brings each student into a wholesome social relationship with all members of her suite. Each suite accommodates from 10 to 14 students and one faculty member is 'Big Sister' to those in her suite. Here are planned many delightful social evenings.1 The 1908-09 catalogue adds, "There are also rooms for two when sisters or special cases demand it, and a few large front rooms are arranged to accommodate three or four students."1 In 1919, the fourth floor was finished.1 The southern part contained an infirmary with two wards, a bath, nurse's room, and service room. The northern part was used as an art studio. Rosemary's auditorium had seating for 400 people, with a rostrum that could fit 200.1 The floor was elevated from front to rear to provide adequate views of the stage, and dark blue velvet curtains covered the auditorium's 11 windows.8 These drapes were finally replaced when the auditorium was redecorated in 1976.23 A decade earlier, a projection booth was installed in the theater for Sunday night movies. |
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AssembliesThrough the 1960s, Cottey held mandatory assemblies in Rosemary each Tuesday morning at 11:00.8 Some assemblies were organized by students while others were directed by professors or visiting guests. The content ranged from academic lectures to skits poking fun at the faculty. Even reviews of current books were considered good entertainment! Assembly topics from 1944 and 1945 included everything from manners to international relations. Social training was still a priority then, as referenced by the "Good Grooming" and etiquette assemblies held in November of 1944. The former was presented by the Cottey Home Economics Club, who stressed that "Without perfect fingernails, a neat hair-style, and attractive make-up, a beautiful costume or a beautiful girl will appear commonplace."11 Proper etiquette was illustrated by the Cottey Dramatics Club through a series of skits brimming with offences.12 In October of 1945, Dr. Orpha Stockard spoke on the expanding educational opportunities for women, and urged her students to examine what they wanted to do with their lives.13 She concluded, in a student's words, that "It is not the amount of schooling necessary, but rather the desire to have a home, that keeps most women from entering professional occupations."13 In November of that year, the International Relations Club sponsored a round-table discussion on Japan and the "difficulties confronting the Allies."18 Among the questions discussed were "[H]ow much control [does] the emperor really have," "[W]hat form of government should be set up in Japan," and "Can we take away Japan's colonies?"18 Assemblies were not looked forward to by everyone. Attendance was required, however, and "checkers" often made rounds through the dorms to ensure everyone was in Rosemary (or at least not in their suites).20 In the 1960s, some Cotteyites were still savvy enough (and desperate enough) to avoid assemblies. Cottey's dorm rooms did not have locks in those days ― but the closets did. Students would climb into their closets, lock them from the inside, and wait for their rooms to be checked. After the checker left, the clever ladies would emerge from hiding, having successfully escaped another dreadful Cottey assembly. |
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Chapel & VespersChapel services were moved to Rosemary Hall when it was finished in 1903. While they had previously been held at Cottey numerous times during the week, these shrunk to one service on Thursday mornings by the 1930s.8 In the '40s, Reverend Frederick C. Low (who also taught the Bible class) gave the chapel address on the last Thursday of every month.19 On the second Thursday, a student chosen by the Y.W.C.A. spoke on a subject like duty or new beginnings. The remaining two weeks were filled with services by Nevada ministers, who each gave a series of five lectures at Cottey. A choir of six students and a student organist provided music. Music Vespers were held on Tuesday nights directly following dinner.8 Both students and faculty provided music in the dark auditorium, where "the excitement, hilarity, worry, happiness and fun [were] blended and dimmed to a peaceful calm that the girls remember as one of the lovely experiences of their lives at Cottey."8 PerformancesRosemary auditorium was used for music and drama productions by students and visiting artists. The college received its first Steinway grand piano in 1906, and this was proudly placed in Rosemary.23 By the 1930s, the building's equipment included two Steinway pianos, a small movie screen, and an Estey pipe organ. The sole organ was in high demand, and organ students had to be limited to seven per semester.8 The first Cottey play, "Miss Mary Smith," was produced in March of 1911 by the newly formed drama club.23 Rosemary was not designed with plays in mind, so several improvements to the auditorium were made over the years. The stage was renovated and seating changed in 1964. Dressing rooms and a backstage bathroom were finally added in 1970, as well as carpeting for the aisles. Cottey's Artist Series also brought musicians, actors, and other performers to Rosemary. In 1938, Music Department Director Floella Farley commented, "Our auditorium has known no happier moments than when students and faculty gather in formal dress to enjoy these splendid artists."8 |
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ChangesIn the summer of 1939, an outside fireproof stairway was added to the hall, and fire-doors were installed between Rosemary and Main Hall.1 An inspection in 1940 revealed that Rosemary was in desperate need of a rewiring — especially its stage. The hall was rewired and redecorated the following year, and given new plumbing in 1949.23 With the erection of Robertson Hall in 1959, Rosemary's four suites were converted into faculty offices and practice rooms for the music department.23 The hall had long been considered a fire hazard, so it came as a great relief to the administration to move the students out. The Decision Not to Save RosemaryIn the midst of Main Hall's renovation in 1980, it was decided to separate the building from Rosemary. Had the corridor between the two buildings not been demolished, Cottey would have been legally obligated to bring Rosemary up to modern building codes.23 An elevator and sprinkler system would need to be installed, as well as new wiring, roof work, windows, and air conditioning and heating systems. The estimated cost of the renovation was $2.25 million. In addition, Rosemary's drama facilities were severely subpar. The stage had no space on the sides or above for changing scenery or flying it.23 There was no scene shop, so all sets had to be built on stage, decreasing the size of the already small stage. It was also difficult for much of the audience to see the stage, because the front of the stage was convex instead of concave and the seating area did not incline enough. And since there was only one auditorium, scheduling conflicts were common. For all these reasons, it was decided not to renovate Rosemary in 1980, and this sealed the building's fate. By this time, the 80-year-old building had fallen into disrepair. Due to concerns about wiring and structural weakness, the music department moved to Main Hall in 1981, and few people were allowed on the upper floors of Rosemary.23 The third story was used for costume storage, and the second story for limited set construction. The hall's wood floors were also badly deteriorated; a section of the auditorium floor had to be replaced in 1986 just to make it safe for public performances. None of these factors concerned ghost-hunting Cottey students from sneaking onto Rosemary's upper floors in the dead of night, though. In the late 1980s, Cottey began designing a new performing arts center. The plans included the demolition of Rosemary Hall. This eventually occurred in the summer of 1990, a year after the Haidee and Allen Wild Center for the Arts opened. Rosemary's auditorium seats are still around, though: They were donated to the local Masonic lodge, where they remain today.20 |
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